Nano banana pro prompt (a reference image upload is required):
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Analyze the entire composition of the input image. Identify all key subjects present (whether a single person, a group/couple, vehicles, or specific objects) and their spatial relationships/interactions.
Generate a coherent 3x3 “cinematic contact sheet” grid showing 9 different shots of these exact subjects in the same environment.
You must adapt standard cinematic shot types to fit the content (e.g., if it’s a group, keep the group together; if it’s an object, frame the entire object):
Row 1 (establishing):
Extreme Long Shot (ELS): the subject appears small within a vast environment.
Long Shot (LS): the full subject or group is visible from top to bottom (head to toe / wheel to roof).
Medium Long Shot (American / three-quarter): framed from above the knees (for people) or a 3/4 view (for objects).
Row 2 (core coverage):
4. Medium Shot (MS): framed from the waist up (or the object’s central core), focusing on interaction/action.
5. Medium Close-Up (MCU): framed from the chest up, an intimate framing of the main subject.
6. Close-Up (CU): tight framing on the face or the object “front.”
Row 3 (details & angles):
7. Extreme Close-Up (ECU): macro detail strongly focused on key features (eyes, hands, logo, texture).
8. Low-angle shot (upward / worm’s-eye): looking up from the ground (spectacle/heroic feel).
9. High-angle shot (downward / bird’s-eye): looking down from above.
Ensure strict consistency: the same people/objects, the same clothing, and the same lighting across all 9 panels. Depth of field should vary realistically (background blur in close-ups).
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A professional 3x3 cinematic storyboard grid with 9 panels.
The grid shows the specific subjects/scene from the input image across a comprehensive focal-length range.
Top row: wide environment shot, full view, 3/4 cut (above-knee).
Middle row: waist-up view, chest-up view, face/front close-up.
Bottom row: macro detail, low angle, high angle.
All frames have photoreal textures, consistent cinematic color grading, and correct composition for the specific number of subjects/objects analyzed.